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E*Trade 'Baby Trading', 'Baby Banking'
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Nike Jordan 'Engine'
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AXE 'Rolling'
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Sprite 'Spa TV'
Dodge Trucks ‘Focus Group’
FedEx 'Stick'
Geico Direct
American Chemistry Council
Pepsi 'Sumo'
Miller 'Labels'
GMC Mos Def 'Poetry'
Cingular Wireless
Baileys Irish Cream
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Maryland Lotto
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Choice Hotels International
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Visual Effects Artists at Framestore NY Collaborate With 'Shine' Director Scott Hicks and 'Batman Begins' Cinematographer Wally Pfister


From their gleaming new space in Manhattan's SoHo neighborhood, Framestore NY's team of artists recently manifested "Workday" and "Triplets" - new visual effects-driven spots in the ongoing high-profile Cingular Wireless "More Bars in More Places" campaign.

The fresh TV ads were lensed by Independent Media Director Scott Hicks (director of the feature film "Shine") and DP Wally Pfister (cinematographer on "Memento" and the latest Batman film "Batman Begins").

"Workday" airs February 26th, 2005 and "Triplets" will air in March. Each spot carries the same theme, demonstrating Cingular Wireless's new mantra that people can use their mobile phone anywhere. Familiar environments, from outdoors to urban, feature random incidents that form the structure of the now famously recognizable five cell phone bars look.

Framestore NY summoned its visual effects expertise to create both in-your-face and more subtle "five bars" events in the most happenstance places: in "Workday," viewers see five trains arranged in rising order, five lines of city cabs form the five bar style, and in Manhattan five piers jut into the East River.

In "Triplets," outdoor landscapes figure prominently to shape more Cingular cell phone bars. Framestore NY tracked and reconfigured live action footage of Tucson desert cactuses to form five bars, and three real mountains get two additional CG-created mountain siblings in the visual effects company's re-envisioning of the desert landscape. In the final scene, triplets step up to a home where five windows feature window blinds - pulled to the familiar five-bars lengths.